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My combined Blogspot blogs (as listed in the links) now cover well over 3,000 recordings in review. I wrote for Cadence for many years, a periodical covering jazz and improv music.

Leopold Kozeluch, Symphonies 2, Czech Chamber Phil.Ĭape May, New Jersey, United States I am a life-long writer, musician, composer and editor.

Jane Antonia Cornish, Into Silence, MINI-Review.

Veronique Mathieu, Stephanie Chua, True North, Con.

Ernst Krenek, Chamber Music and Songs, Volume One.

Orazio Colombano, Psalms for Six Voices, Cappella.

Goldstone and Clemmow, Gershwin and Ravel: Music f.

Cecilia Lopez, Red - Machinic Fantasies.Florence Beatrice Price, Symphonies No.The Hungarians: From Rozsa to Justus, Ensemble for.Art Electronix, Monumental Dump Remixes.

Cimarosa, L'Impresario in Angustie, Farsa per musi.Gerhard & Mompou, Complete Music for Solo Guitar.Muzio Clementi, Keyboard Sonatas, Sandro De Palma.Schoenberg, Piano Music and his 17 Fragments, Yoko.Ziboukle Martinaityte, In Search of Lost Beauty.Lei Liang, A Thousand Mountains, A Million Streams.The Ovalle Project, Andree-Ann DeSchenes, The Pian.Ferruccio Busoni, The Late Works, Svetlana Belsky.Leonie Klein, Gathering Thunders, Percussion Music.Post-Haste Reed Duo emerges from the underbrush to conquer the sweet would-be treat and its relentless advance! Go on Duo, keep going and we cheer you forward! The robot looms yet we the listeners triumph in the hearing. No notes are wasted and the base-grounding of the two reeds never seems lacking in fullness of content. Hines, Andrea Reinkemeyer and Takuma Itoh. So we are invited to sit and hear the nicely turned gems from Ruby Fulton and on to miniatures by Drew Baker, Michael Johanson, Edward J. If the composers are not so well-known, the works show us we have missed them at our own, well not 'peril' so much as lack.

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One should not be blase about it all without paying close attention, for a saxophone-bassoon duo can be as full and lively as anything you can imagine, provided the works are as interesting as they are here and the execution is natural and artful, as the Post-Haste Duo show us consistently and happily. The music if we must label it might be Post-Modern Modern Neo-Classical? It has form and force, from the beautifully apt opening title work by Ruby Fulton to the closing four-episode adventure-sequence 'Snapshots' by Takuma Itoh. That is the case here as limber-timbred saxophonist Sean Fredenburg and bassoon stalwart Javier Rodriguez take us on an imaginative journey through six compositions and compositional suites. All the better of course if the music turns out to be very much worth our ear-time. Do NOT hand over the ID to the Operator.There are album concepts and cover illustrations that grab my attention and I will admit that the art on Donut Robot! (Aerocade Music 010) by the Post-Haste Reed Duo is a favorite.What's wrong with a bit of outlandish humor? Nothing at all as far as I am concerned.

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